Bowdoin College Maker Space

Academic Technology & Consulting

3D Prints

Organic Supports are Much Easier to Remove than Grid Supports

PrusSlicer now has a nifty way to create “organic” supports.

They are MUCH easier to remove from the final 3D print.

“Organic supports are easily removable, do not scar the surface, and are fast and cheap to print.”

An example of a recent print in the Maker Space and how it looks with each of the methods.

How to do it: “Open the Paint-on supports Gizmo, select Automatic painting. when its done enable for “support enforcers only” then go to Print Settings\Support material\Style: and from the drop down menu select Organic. “

Polar Bears

Bowdoin Class of 1912 Polar Bears

We 3D scanned the polar bear. Now we are printing a few for some special friends of the Maker Space who will be visiting for reunion this weekend.

“The Class of 1912 presented a sculpture of the polar bear to the College in 1937. It is a life size granite statue designed by Frederic George Richard Roth. The figure stands in front of the entrance to Sargent Gymnasium, and has for many years symbolized Bowdoin College to alumni and to the public .”

https://bowdoin.prestosports.com/information/polarbear/

Griffin? Chicken? Dragon?

Griffin? Chicken? Dragon?
We are not actually certain, but we sure had fun 3D scanning and printing this object for our good friends over at the Bowdoin College Museum of Art

Griffin? Chicken? Dragon?
Griffin? Chicken? Dragon?

The final product in the Art Museum’s exhibition: “Flora et Fauna: Nature in Ancient Mediterranean Art and Culture”

The final product in the Art Museum's exhibition: "Flora et Fauna: Nature in Ancient Mediterranean Art and Culture"

“…working with David Israel P’25 in Bowdoin’s Department of Academic Technology & Consulting, and Joseph Hluska, Assistant Preparator at the BCMA, to create the replica cauldron featured in Flora et Fauna. Israel produced 3D scans of Protome in the Form of a Griffin, and from those scans created multiple 3D printed models. To begin the process of the creation of the base of the cauldron, Higginbotham supplied Hluska with examples of Ancient Greek cauldrons and the typical forms that they took. Using a coil building technique, Hluska threw the cauldron in two parts and fired the components in the kiln at the Visual Art Department with the assistance of Jackie Brown, Associate Professor of Visual Art. Hluska then manipulated the 3D printed models with a heat gun to fit the profile of the finalized clay vessel. While the original ancient cauldron would have been larger and made of bronze, the replica cauldron featured in Flora et Fauna offers audiences greater context for how an object like the Protome in the Form of a Griffin may have appeared and functioned in its entirety.”